![]() Drew School for Boys, an African-American prep school. The …"Choir Boy" tells the story of Pharus Young (Jeremy Pope), who's entering his senior year at the fictional Charles R. Pharus is intelligent, opinionated, and conniving but only because he has to be…he’s rather obviously gay in a “don’t ask don’t tell” world where he can’t be open about his sexuality.University of ConnecticutIt’s full of schoolboys who are trying, and often failing, to contain themselves and follow the rules in a prestigious historic African-American boys school. Drew Prep School, a prestigious private school for Black male high school students. He is by.Choir Boy centers on Pharus, a scholarship student at the Charles R. If the school's headmaster is too wishy-washy and naive (and he is), McCraney has seen to it that Pharus is realistically complex. Tickets are available in person at the box office, by calling 31 or by going to Additional information about this and other area productions can be found by visiting Boy" is his crispest and most confident work. Presented October 4-29 by Steppenwolf Theatre Company, as part of their Steppenwolf for Young Audiences series, in their in-the-round Helen Zell Ensemble Theater, 1646 N. In “1919,” as in all the plays that follow, Steppenwolf will offer exciting works that will continue to speak to every age group, that will entertain and inspire intergenerational audiences all year long. As this project returns, there’a even more hope for the series because it’s currently headed by a team of talented Black Women for this show. The goal this program is to provide “sophisticated, challenging and vital performances for Chicago teens. Steppenwolf Theatre for Young Audiences happily returns to live programming after three years of closure, due to the pandemic. Whatever the inspiration, Lynch has created a beautiful way of providing mood and light to this production. Or maybe the bottles are just a lovely, artistic means of illumination. They then corked them and buried them in the earth. They were unearthed where slaves, in order to rid themselves of pain, illness and harmful intentions, once filled the bottles with pins, needles and nails. The glass containers bring to mind the 17th century superstition of the Witch Bottle, a method of primitive Folk Magic. They are all filled with tiny lights of hope. In addition he’s hidden many more bottles in the trapdoors, which the cast bring to the stage. ![]() It hangs above the acting area, and slowly lowers to the stage level as the performance piece begins drawing to a climax. Jason Lynch’s gorgeous lighting design includes a gigantic chandelier made of blue and green bottles. But on closer examination, and especially as the performance proceeds, we discover that Yu Shibagaki’s scenic design is filled with unexpected surprises, particularly trapdoors and secret compartments from which characters enter and properties are retrieved. The production is performed in Steppenwolf’s new Helen Zell Ensemble Theater, which at first glance resembles a hockey stadium. Together they act out the stories of the many Black Chicagoans who were unjustly victimized throughout our city’s history. When that fails, a group of additional four characters join the space who, we’re told, are the young woman’s Muses. Suddenly another character emerges from beneath the floor, lecturing her about wise nutrition and trying to spark her creativity. Apparently she has a paper to research or an article that she needs to write, but she’s just not motivated. The framework of this arena production is established as a young woman, casually munching Cheetos, enters and reluctantly sits at her typewriter. They portray nameless characters, simply called Humans #1-6, who become a number of other individuals and forces throughout history. The superb company of gifted actors include Jessica Dean Turner, DeMorris Burrows, Max Thomas, Alexis Ward, Sheldon D. These two talented directors have carefully guided their multitalented cast, as they build the suspense, intrigue and injustice that’s been repeated in so many tragic events over time. Peppered with emotional performances and expressive sound and music, the story is told through the talents of six young African-American actors. Ewing’s poetry into a cohesive movement piece. Jones have worked together to shape and mold Ms Brooks adaptation, turning Dr. This scorching production is co-directed by two local scholars, educators and experienced directors.
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